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"The Bowl"

by AE Bridger

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1.
I can see the strings that hold you upright glisten when you walk like spiderwebs I can see his lips move when you're talkin' I've heard all your jokes before they're his! they're his! when he's drinkin' liquor from your bottle I'm surprised that you can even talk when he's got you laid out on your mattress I'm surprised that you can even walk
2.
softest grey of softest blue of softest black of softest blue nothing today to do on the beach where I can stay forever forever forever softest blue of softest black water pulling seashells back we will keep on coming back forever forever forever you and I sang songs with seashells in a dream we left our home on the beach when we returned seashell gramophones stained with piss and wind I wake up, I still have you there on the beach our seashell song ringing in my ears forever forever forever softest blue of softest black water pulling seashells back we will keep on coming back
3.
Gloria 05:43
Gloria, Gloria how could they know? it was in the blood it was in the blood skin of oil sheen and blood of ammonia how could they know? it was in the blood it was in the blood Gloria, Gloria Gloria, Gloria garlic hissing from your nostrils draw the blood, check the blood how could they know? it was in the blood it was in the blood skin of oil sheen and blood of ammonia how could they know? Gloria, Gloria Gloria, Gloria how could they know?
4.
Gulls 03:09
when the gulls crack and whistle children flow into each other spitting and coughing like a river running I am watching them from above I am watching them from above my hands turn to branches calcified bell from the bone I am older with every toll when the gulls crack and whistle children flow into each other spitting and coughing like a river running I am watching them from above
5.
"The Bowl" 14:54
"It's a long, long way to the lip of "The Bowl" and it's getting farther the closer it seems to be and amidst this inuksuk Guernica is a small girl whistling and waiting for me. In silence of stone, her hair, flesh, and bone, tattooed with the stench of the sea, she lives in "The Bowl," our Tablelands home, still waiting forever for me. As the days turn to years turn to stone in The Bowl I'm drinkin' in Georgetown Still Michelle sifts through shards splintering. She knows "The Bowl" like the back of her hand. Kisses every boulder as the snowcaps flow tears shimmering. She can tell by the rocks that I'm here on the docks with an ear to the wind, listening for her whistling. She lives in "The Bowl," our Tablelands home, awaiting the coming of spring. I'm dreaming a dream that I'm back in "The Bowl" and it's getting harder to remember what's real to me, but if I make it to spring, I'll be bound; with the trickling water, I'll return with a thin silver ring. But the road is so long to "The Bowl" from St. John's, walking backwards with a cross and a ring. I can hear pretty well, but it's getting harder to tell if Michelle is still whistlin' for me. In silence of stone, her hair, flesh, and bone, tattooed with the stench of the sea, she lives in "The Bowl," our Tablelands home, still whistling and waiting forever.

about

It's a long, long way to the lip of "The Bowl"
and it's getting farther
the closer it seems to be
and amidst this inuksuk Guernica
is a small girl whistling
and waiting for me.

In silence of stone,
her hair, flesh, and bone,
tattooed with the stench of the sea,
she lives in "The Bowl,"
our Tablelands home,
still waiting forever for me.

As the days turn to years turn to stone in "The Bowl,"
I'm drinkin' in Georgetown.
Still, Michelle sifts through shards splintering.
She knows "The Bowl" like the back of her hand.
Kisses every boulder
as the snowcaps flow tears shimmering.

She can tell by the rocks
that I'm here on the docks
with an ear to the wind, listening
for her whistling.
She lives in "The Bowl,"
our Tablelands home,
awaiting the coming of spring.

I'm dreaming a dream that I'm back in "The Bowl"
and it's getting harder
to remember what's real to me,
but if I make it to spring, I'll be bound;
with the trickling water,
I'll return with a thin silver ring.

But the road is so long
to "The Bowl" from St. John's,
walking backwards with a cross and a ring.
I can hear pretty well,
but it's getting harder to tell
if Michelle is still whistlin' for me.

In silence of stone,
her hair, flesh, and bone,
tattooed with the stench of the sea,
she lives in "The Bowl,"
our Tablelands home,
still whistling and waiting
forever.

credits

released January 18, 2020

Personnel:
Hannah Boone (trumpets, vocals)
Alexander Bridger (lyrics, songs, vocals, electric 12 string guitar, electric bass, Juno 6 synthesizer, drums, tubular bells, marimba, vibraphone, gong, Hammond organ, piano, celesta, accordion)
Elliott Dicks (cover text)
Amelia Harris (vocals)
Daniel Howse (cover art, harmonica)
Michelle LaCour (production, mixing, mastering, vocals)
Zafer Mamilli (viola)
Tomo Newton (vocals)

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AE Bridger Montreal, Québec

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